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The enthusiasm continued into Lent term with a notable 4—2 against Jesus. Throughout the year, there has been substantial development in both the skill and confidence of our new players, as well as improvements in the way we play as a team.

It has been a successful season and we hope to continue in this vein next year. We have also dedicated sessions to knitting, clothing repair, patching, and making intricate paper snowflakes! We have continued to run sessions virtually during lockdown, enjoying origami, calligraphy, and bracelet making over video call. Clara Tuffrey. H i p p o ly ta n s The Hippolytans this year have engaged both in socials, many organised alongside the Marguerites, as well as society specific events.

Near the end of Lent term, the baton of President was passed from Lucy Gardner to Hannah Covell and, despite distance, Easter term has seen the applications of 11 new members accepted. Whilst we are having to adapt to the current situation, and the disappointments over the lack of an annual garden party, plans for social events still stand albeit currently virtual , and the greatly expanding Hippolytans community is looking forward to another successful academic year when reunited come October.

Several matches, as well as the Cuppers tournament, in Lent term were sadly cancelled due to poor weather, but we enjoyed what turned out to be our final match of the year against Selwyn. Anna Whitehead and Adam Yardley. Socially, the Club has held a number of cocktail parties jointly with the Hippolytans, and our Alumni Dinner in November was a great success.

This was a great opportunity to see old faces, and we look forward to more of these in the future.

List of stage names

We hope that the next 12 months can build on from this, and we can resume our sports and events where we left off from in Michaelmas. Patrick Moran.

This was a great shame since the soldout event had been in the planning for 18 months, under the innovative theme of Paradise Lost. We would like to extend our gratitude to the 26 person committee who were so dedicated in planning the event to near completion. We must also thank the College, who provided the funds necessary for all ticket-holders to receive full refunds. Planning is already underway for the Ball, and we hope much of the efforts for the event can be put towards this.

Matt Lee and Patrick Moran. In addition to the regular recital series and Week 5 Blues gigs, there were a number of exciting masterclasses and events. In Michaelmas, we held a vocal masterclass with Australian opera tenor Samuel Sakker, and at the end of term we had our annual Christmas concert, with performances from the orchestra, jazz, and voices ensembles. The annual Charles Blackham competition, judged by Claire Watters, David Rowland, and David Trippett, was deservedly won by Sebastian Gorgon on piano, who had given a recital in Michaelmas term entitled Modernist kaleidoscope, which explored works by early twentieth-century composers such as Prokofiev, Shostakovich and Messiaen.

We look forward to next year, when we can carry on the thriving College music scene, providing an excellent array of events and performances for everyone to enjoy and get involved in. Nick Edwards. Ladies and Mixed Netball Our two netball teams have seen another strong year of play. Notable was a 10—8 win, without any regular shooters present. We ended the term with Cuppers, where the team fought extremely well and spirits were high.

However, a nailbiting game against Division 1 team, Emma, ended at a narrow 9—10 loss, meaning missing out on quarter finals by only a point. These efforts paid off at the end of Michaelmas, which saw a 20—11 victory over Trinity, which was cheered on by supporters. In this regard, the year has been an immense success. The future of the Club looks promising, with a couple of strong fresher showings, and the side also welcoming some older members of College into the fold.

The Club also bids farewell to Liam Baines, who graduates this year with a long and chequered history of service. All eyes are now on a September tour and hopeful resumption of service come Michaelmas. Up the Brown Rings! The structure, of black and white marble with wood framing added early in the eighteenth century , was made by a London sculptor called Joseph Catterns. As John wanted, he and Thomas are buried together under the floor of the chapel in front of the memorial. Thomas Baines came from a less exalted family than Finch.

On the rock of this initial association, Finch and Baines founded a life-long friendship. At the top of the memorial is a single funerary urn. Below the urn are individual portrait busts of the men, based on paintings now in the Fitzwilliam Museum, surrounded by garlands and angels.


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More was a member of the group called the Cambridge Platonists. In the College history published in , Roy Porter tells us that the Platonists sought to reconcile Christianity with new intellectual movements in science. They rejected mystical, Aristotelian explanations of the world, in terms of essences, in favour of the empirical study of natural, material processes; but they also believed that the study of nature would confirm the existence of God rather than propel people to atheism.


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  • More was a Fellow of the Royal Society founded in , and associated with the scientific elite of the day. Anne became an important Platonist philosopher in her own right. She and More maintained a life-long correspondence. This was the intellectual context in which Finch and Baines were educated. The big issue of the day was how to think about religion in a world of scientific investigation. Little is known of their life there. In , Finch was appointed Professor of Anatomy at Pisa — certainly the first, and probably the only, Englishman ever to have held the post.

    There he came to the notice of the local ruler, the Grand Duke of Tuscany.

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    After another brief return to England in , they departed again in , this time for Constantinople, where Finch took up the post of English Ambassador to the Ottoman Court. Lest you get the impression that Baines was merely a manservant to genius, it is worth knowing that he, like Finch, was made a Fellow Extraordinary of the Royal College of Physicians, and that both were active in the foundation of the Royal Society. In , Baines was appointed Professor of Music at Gresham College, which had been founded in in the mansion of Sir Thomas Gresham, a wealthy merchant, on the site of what is now Tower 42 in Bishopsgate.

    It was effectively the third university in England, after Oxford and Cambridge, and the first home of the Royal Society.

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    The main role of its Professors today is to give public lectures to all comers. Thomas Baines died in Turkey in His viscera were interred in Constantinople, whilst the rest of his body was embalmed and brought back to England, so that John and Thomas could be buried together. John himself died soon after, in England, in The memorial was not meant as any sort of public statement. It is located in a remote corner of the chapel of a private institution, into which few members of the.

    The Latin epitaph hid its meaning from all but the highly educated of the day. But it was neither the first, nor the last, memorial in a place of Christian worship to a same-sex couple, whether male or female. Nor are Finch and Baines alone in being a same-sex couple buried together. Finch and Baines were clearly both pillars of the English establishment, despite having spent so much of their professional lives abroad.

    John was a member of one of the leading aristocratic dynasties of the day, and Thomas must rank as one of the most highly qualified and accomplished PAs of all time!

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    The celebration of their lives could not be more intimately related to their religion and their education. The lives of John and Thomas, and their memorial, were made known to a somewhat wider audience in by one Archibald Malloch, a Canadian army doctor posted during WWI to a small hospital for officers at Burley-on-the-Hill in Rutland, set up in what had formerly been the Finch family seat.

    The monument, she says, represents an attempt to give the relationship a due commemoration, and to express it in terms which would be both morally acceptable and comprehensible to contemporaries.

    Monuments such as that to Finch and Baines commemorate non-kin, voluntary social relationships. He acknowledges that this argument poses some very difficult historical questions: why, for instance, is there so much more evidence for male voluntary relationships than female? And what can memorials of the elite tell us about the lives of the common people? Peter Cane.